我的个人收藏

All-encompassing creative & innovative works in arts and humanities (non-academic, across social, political, cultural, psychological, spiritual, aesthetic, temporal domains):

Writing:
– Novels (literary, genre, historical, speculative)
– Short stories (microfiction, flash)
– Poetries (lyric, narrative, concrete, spoken word)
– Essays (reflective, polemical, cultural criticism)
– Memoir & personal narrative
– Playwriting (stage, street, immersive)
– Screenwriting (film, TV, web series)
– Oral history documentation
– Diaries & journals as literary projects
– Letters & epistolary experiments
– Aphorism collections
– Myth-making & parable crafting
– Satire & political humor
– Manifesto writing (aesthetic, political)
– Spiritual & liturgical text crafting (non-institutional)
– Zines & underground press work, Blognotes
– Game writing (tabletop, narrative design)
– Translations (490453)

Visual arts:
– Painting (abstract, figurative, conceptual)
– Drawing (ink, graphite, digital sketching)
– Sculpture (stone, metal, ephemeral, conceptual)
– Photography (documentary, experimental, staged)
– Collage & mixed media
– Illustration (editorial, book, speculative)
– Calligraphy & typography art
– Murals & street art
– Installation art (space transformation)
– Light and projection art
– Performance art (body, movement, protest)
– Textile & fiber arts (tapestries, fashion as statement)
– Printmaking (etching, lino, screenprint)
– Ceramics (sculptural, narrative)
– Land art & environmental interventions
– Ephemeral art (sand, ice, temporary structures)
– Video art & experimental film
– VR/AR art environments

Sound & music:
– Composition (classical, experimental)
– Sound art (field recordings, ambient installations)
– Music albums (conceptual, narrative-driven)
– Spoken word & audio storytelling
– Podcasts (cultural, political, social reflections)
– Radio plays & audio drama
– Sonic ethnography projects
– Sampling as cultural narrative
– Soundscapes tied to places/events

Film & moving image:
– Feature & short films (fiction, docufiction)
– Documentary filmmaking (social, cultural, environmental)
– Experimental cinema
– Video essays (cultural analysis, polemic art)
– Animation (2D, 3D, stop motion)
– Visual poems & cinepoems
– Found footage recontextualization
– Web-based microfilms

Performance & embodied practices:
– Theatre (traditional, immersive, site-specific)
– Dance (contemporary, folk, experimental)
– Movement workshops as art
– Public interventions (flash mobs, silent protests)
– Ritual performance (artistic, communal)
– Protest art actions
– Embodied storytelling
– Puppetry & shadow theatre

Interdisciplinary / emerging forms:
– Conceptual art tied to social systems
– Participatory art projects (co-creation with communities)
– Social practice art (engagement with real issues)
– Game design (social commentary, interactive narrative)
– Urban interventions & tactical urbanism
– Artistic cartography & mapping
– Archival art & memory projects
– Data visualization as cultural storytelling
– Cultural heritage digitization (narrative driven)
– Alternative reality games (ARG) for narrative activism
– Virtual reality storytelling
– Transmedia storytelling (one narrative across formats)

Other serious creative domains:
– Political theatre & agitprop
– Counter-memorials & counter-monuments
– Utopian/dystopian speculative design
– Symbol creation (flags, emblems, sigils)
– Community mural projects for reconciliation
– Documenting endangered languages visually/aurally
– Ethical design in fashion & objects
– Ecological art (climate, resource commentary)
– Food as artistic narrative
– Experimental architecture as cultural statement

Purpose focus:
– Social justice
– Cultural memory & loss
– Political critique
– Identity & belonging
– Migration & borders
– Spiritual and existential questions
– Power structures
– Community building
– Aesthetic disruption
– Futurity & hope
– Healing collective trauma through art